360° virtual tour through the exhibition

To open it, click on “Inhalt laden”. You can view the tour in full-screen mode by clicking on the menu button (three horizontal lines in the middle at the bottom of the window) and then on the enlarge-image-button (first button on the right).

Provided by TV-Künstlerkanal

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Explanation:

Welcome to this interactive 360 degree virtual tour. With pressed left mouse button you can look around to all sides and change the distance with mouse wheel. With a click on the different icons they open in each case info, pictures or videos. If you click on the arrow, you move on, so to speak: to another position or to another room. So, just like on a real tour, you can decide for yourself where – and how often and for how long – you want to look at something, and you are not – as with a movie – bound to a certain sequence. And now have fun with your personal 360-degree tour.

Update from 27 of April 2020

Dear art and music lovers,

A small premiere took place on Saturday in our Musikstudio: a vernissage without guests, but with a whole range of technology. Interviews and a small piano concert were recorded with no less than 4 cameras. In addition, there are 360​​° panoramic shots, which should enable you to take a digital tour of our premises in the near future!

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The musical part was performed by Yizhuo Meng, who performed a wonderful interpretation of the 1st movement of the moonlight sonata and Beethoven’s work “Les Adieux”. The full length concert can be found here:

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The two artists Milena Kunz-Bijno and Michael Tauchert, both from Bonn, were available for an interview. Michael Tauchert is represented for the first time in the Musikstudio and for the Beethoven year, the sculptor made 9 unique wooden sculptures of the great composer based on the 9th symphony. The partly colorful figures are particularly eye-catching due to their mixture of grandeur and wit. For example, the artist used a fork in the branch to give the composer a huge auditory tube. The interview with Mr. Tauchert can be found here (in German):

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Milena Kunz-Bijno has already exhibited in the Musikstudio 9 years ago and now we are very happy that she is exhibiting again and will be represented by our gallery from now on! Her pictures, collages and sculptures radiate a meditative calm in mostly monochrome color compositions. Music has always been a popular motif for her, which she incorporates into her works, for example, through cleverly integrated sheet music. For her, the immaterial nature of music makes it one of the most highly developed media in art. Spirituality also plays an extremely important role for the very well-read and experienced artist. You can find motifs of different religions in her works, which for her, like music, express one thing: as different as we may be, there are general truths that affect everyone, such as the need for love, security and aesthetics. Here you can watch the interview with the artist (in German):

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Otto von Kotzebue has been with our gallery since 2012. He became known to us with his atmospheric oil paintings and watercolors from far and near countries. The Munich artist took a different path for this exhibition and this time created a collection of collages, combined with watercolor painting and ink drawings, from Bonn’s landmarks. However, the message of his pictures remains the same: the focus is not on the lifelike illustration, but on the feeling that the artist connects with the place.

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Maria Dierker had her first vernissage on our premises in 2017. Her mostly black and white paintings and ink drawings represent nature in various forms, whereby her technique is based on Far Eastern calligraphy. The focus of her work is on the subject of “becoming-being-passing away”: she shows nature in its beauty, vulnerability and in its elemental force. At the same time, she warns us to treat nature with respect, because one thing is certain: if you disregard the signs of the time, you will have to expect a catastrophe one day.
For Maria Dierker, nature and music are closely related. Among other things, Beethoven saw the same thing, saying, “It is as if every tree in the country spoke to me: Holy, holy! Every tree speaks through you, oh God. Sweet silence of the forest.
For this exhibition, she provided two terry towers, so-called “Tree Scores“, and two paintings from the work cycle “The Tree“. What is special about the tree scores is that they were created in an area where Beethoven is said to have often walked. The works are created by the artist trapping the bark of a tree on Chinese rice paper and then further processing the picture. What arises is actually confusingly similar to a score.

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Antonio Máro has been represented by us since 2013. In fact, this name is a pseudonym because the two artists Apolo and Rafael Ramirez, father and son, are responsible for the works. Unfortunately we are currently unable to exhibit the works that they have provided for this vernissage, as the two artists live in Belgium and the borders are currently closed. Based on the illustrations of the works, however, we can be excited: fitting to the moonlight sonata by Beethoven, we will exhibit two paintings that depict the moon, which is a well-known motif to Antonio Máro. Another abstract painting refers to Beethoven’s 9th Symphony.

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Alejandro DeCinti, who is exhibiting at our gallery for the third time since 2015, presents his work of Prometheus for the exhibition, a topic that, as is well known, was also set to music by Beethoven. The painter, originally from Chile, has lives and works in Madrid, Spain since 2002. In this, as in his other works, DeCinti reflects the universal culture and spirituality that is contained in the American and Chilean identity and combines it with classic motifs. This picture will also be shown in this exhibition at a later date.

The interview with the artist is included in the interview with Antonio Máro.

Beethovengemälde von Rafael Ramirez Máro

Rafael Ramirez Máro, whose real name is Peter Ramirez, also came up with something special for this exhibition. He painted two portraits of Beethoven using the living and death masks in the Beethoven House. Such a realistic representation has certainly not existed for a long time.

“(…) Ramírez´ painting lives from deep sensations and their artistic representation. His works reveal the astonishment at the limitless possibilities of art to overcome times and spaces and to penetrate to depths that remain hidden from the superficial view The viewer is taken aback by the suggestive power of color and form, and is concerned with the possibility of re-feeling, the absorption of feelings across spaces and times. The painter directs the gaze to the detail, to the inconspicuous gestures that are expressed in a drama as well as in a musical composition or in the dance step of a flamenco dancer, which the artist captures with a knowledgeable look. He stages key scenes that seem to reveal the meaning of existence (…)”

Dr. Helmut Orpel

The interview with the artist is included in the interview with Antonio Máro.